footballinmyvains:

“Well, it seems to me that the best relationships - the ones that last - are frequently the ones that are rooted in friendship. You know, one day you look at the person and you see something more than you did the night before. Like a switch has been flicked somewhere. And the person who was just a friend is… suddenly the only person you can ever imagine yourself with.”

TRUE FRIENDSHIP NEVER ENDS
stanleybay:

Maybe we don’t need a ticket out of this city. Maybe we can pretend that the canned food in the kitchen has no expiry date. Maybe all that matters when you are falling asleep on my shoulder, is that you are falling asleep on my shoulder.
[Corrections/Credit: top photograph by Sean Marc Lee]

stanleybay:

Maybe we don’t need a ticket out of this city. Maybe we can pretend that the canned food in the kitchen has no expiry date. Maybe all that matters when you are falling asleep on my shoulder, is that you are falling asleep on my shoulder.

[Corrections/Credit: top photograph by Sean Marc Lee]

Chaos isn’t a pit. Chaos is a ladder. Many who try to climb it fail and never get to try again. The fall breaks them. And some are given a chance to climb, but they refuse. They cling to the realm, or the gods, or love. Illusions. Only the ladder is real. The climb is all there is.

a-torvs:

Favourite Movies: Black Swan

"The only person standing in your way is you."

abigaildonaldson:

Fashion in Film: Clueless (1995)

You don’t understand, this is an Alaïa! It’s like, a totally important designer!

When Clueless hit theaters in July 1995, costume designer Mona May had no idea the impact the film would have on the fashion world. Girls everywhere adopted the closet staples of Beverly Hills teen, Cher Horowitz, including her signature plaid, mini skirts and knee socks; Karl Lagerfeld sent models down the runway clutching the same portable phones that were specially designed for the movie; and publications like Vogue and Women’s Wear Daily lauded Clueless as the fashion movie of the year.

May looked to European designers like Jean Paul Gaultier and Azzedine Alaïa to draw inspiration for the costumes, choosing to stray as far from the then-popular grunge phase by incorporating girly silhouettes and bold colors.

"I took from the trends, picking and choosing from that moment in fashion," May said. "But I didn’t want to date the movie with certain trends, which was easy to do in the ’80s and ’90s. We wanted to make it timeless, and it really stood the test of time. I can watch Clueless now and there’s still stuff we can wear.”

Audrey Tautou photographed by Ralph Wenig